Posted by: AirbrushAction in Airbrush on
May 29, 2008
For those who airbrush designs onto cars and bikes, learning how to
airbrush skulls is a must. Next to flames, skulls are the most requested type of airbrush design. They require attention to detail--painting any portion of the human body has long been one of the most difficult forms of art. It is often recommended that those wishing to airbrush skulls study a book on human anatomy, or at least a plastic skull.
The combination of the relatively high difficulty level and the widespread popularity of airbrush skulls has led to a wealth of instructional materials. Popular skull artists include Robert Benedict and Cross-Eyed, both of whom have instructional DVDs on how to create life-like skulls. Skulls require a blend of crisp lines and smooth textures. Often, artists will complete a skull design in layers, allowing them to devote each layer entirely to one style of painting.
Other than the female figure, no other design stymies artists more than the skull. Frequently, artists find it impossible to airbrush skulls without an extensive diagram. In addition to the curves and textures, an airbrush artist must also pay attention to shadows and lighting. Painting realistic shadows can make the difference between a "ho-hum" skull and one that stands out as realistic and unique.
Those who master skulls should also master fire. A large percentage of customers who want a skull on their vehicle or helmet also want flames to accompany the primary image. Naturally, the back of the skull is the most popular place for flames, but many artists choose to express themselves differently. Flames that seem to shoot out of a skull's ears can create a surreal, angry effect. Many artists choose to experiment with several combinations and include multiple looks in their airbrush galleries.
Posted by: AirbrushAction in Airbrush on
May 26, 2008
Many artists are in search of their vision of artistic perfection. Due to the lure of simulated realism, almost every artist considers airbrushing at one point in his or her career. With the airbrush, it's possible to render an image with photographic-quality detail. Airbrushing is also the flagship artistic discipline behind the
auto - and motorcycle -detailing industries . Building a gallery of airbrushed art is a great way for an artist to turn any encounter into a sales opportunity.
Airbrushing, however, isn't easy; artists must devote themselves to learning the necessary skills. Companies such as Coast Airbrush make a variety of airbrushes for beginners and professionals . It's important to find quality equipment and good instruction--an airbrushing DVD is a great place to start learning the intricacies of the art of airbrushing. Best-selling DVD stars include Craig Fraser, who teaches basic fire in his spot, "Realistic Flames the Craig Fraser Way".
The learning curve for airbrushing usually starts with equipment, and "ends" with individual designs. There's really no true end to the learning curve of airbrushing, as each new design requires a world of subtle intricacy. But, for beginners, merely using the trigger properly is a trick that takes hours to master. For those who can operate their equipment smoothly, learning individual designs is a popular way to build a gallery of art designs.
Airbrushing has many commercial uses, the two most lucrative being photograph touch-ups and automotive painting. For the artist devoted to conveying reality, the photographic realism of an airbrushed portrait holds a great deal of artistic allure. For the artist who prefers to delve into the world of fantasy, painting flaming killer clowns on hot rods can be the perfect release.