Master pinstriper Glen Weisgerber demonstrates the single stroke lettering technique. Weisgerber teaches pinstriping and lettering at the Airbrush Getaway Workshops.
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Archive | September, 2013
CLICK HERE TO DOWNLOAD PDF Have you ever tried desperately to make a vivid white show up on a dark shirt, jacket, or other cotton/poly garment only to have the paint soak into the fabric and practically disappear? For several years, this frustrating phenomenon forced me to refuse orders from customers who wanted work done […]
CLICK HERE TO DOWNLOAD THE PDF AT THE AGE OF 13, JOHN HANNUKAINE DISCOVERED THE PINSTRIPING ART OF JACK PUDLINER WHILE vacationing with his aunt and uncle in Redding. At about the same time he saw Ed Roth’s airbrushed shirt work in an issue of Car Craft magazine, and instantly became infatuated with the weirdo […]
Here’s a technique that may add some life to your underwater subjects. Sunlight plays some incredible tricks when viewed from beneath the surface. Whenever possible, I prefer to paint from reference I have procured on my own. That is, I like to paint from photos that I have taken myself. While I live on a […]
DOWNLOAD PDF FILE “Everything you wanted to know about your new stencils,…but were afraid I to ask.” For the uninitiated, this column instructs on the use and techniques of all stencils in the innovative Artool line, from ullmasters to FX to FlameA-Rama, and anything else we have laser cut out of plastic. In the previous […]
DOWNLOAD FILE HERE About once a year, all of the Viper owners, executives, and special and project designers from Daimler 9 Chrysler get together for a Viper party. What they celebrate is probably one of the biggest phenomenon’s 3 of car ownership bonding known to mankind. If you remember, about two years ago, Bob Soroka […]
CLICK TO DOWNLOAD PDF Painting a boat like Joe Buttafuco’s race boat is a cross between fine art and autobody work. This 36-foot B-class race boat was painted and cleared within 4 day’s time. The final product came out great and generated a lot of new business. In this article, I describe exactly how it […]
DOWNLOAD PDF FILE As an illustrator who works mainly in airbrush, I occasionally find I need a different look for a project. When I was given the opportunity to do a poster illustration for the Fine Arts Fund, I immediately felt that a colored pencil-and-airbrush approach was best. I knew that the art director wanted […]
DOWNLOAD PDF FILE by Craig Fraser Steve Chaszeyka, Wizard to you, had a customer who wanted the caning texture rendered on his Rolls Royce, and so he asked me to solve the problem. The rest is, at best, obscure history. I’ve performed this technique ever since, but primarily for show at Pinhead meets as gifts […]
DOWNLOAD PDF FILE Having taught a whole lot of airbrush getaway courses over the years, the most frequent grumblings I’ve ever heard from those artists who are accustomed to freehanding everything is that frisket are a pain in the #.#. It doesn’t seem to be the masks so much as having to wrestle with placing […]
DOWNLOAD PDF FILE The Stippling method I use to create the stone or granite effect involves deflecting the paint off just about any object you can hold conveniently in your hand, such a s a clothespin or a tongue depressor. This method will work with any airbrush (the Aztek offers a splatter nozzle that produces […]
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- How To Clean An Airbrush – Airbrush.TV December 31, 2012
- [Video] Glen Weisgerber demonstrates the single stroke lettering technique September 30, 2013
- Troy Pierce – Airbrush Artist – Profile January 21, 2013
- Airbrushing Cosmetics July 30, 2015
- T-Shirt Basics by Pat Gaines – Part 3 February 26, 2013
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- Iwata Airbrushing: Things You Should Know | alexwiseguydiversify: […] iwata airbrushing paints available out t...
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- Airbrushing Picture Frames By Lowell Shaw - Airbrush Action Magazine: […] Continue on Part 2 […]...
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Javier Soto's Power Portraits 2-Disc DVD Set available now!
Power Portraits, the long-awaited DVD from master portrait painter Javier Soto, includes step-by-step instruction on color theory, how to render facial features, flesh tones, troubleshooting problems such as paint settling, hot spots, blowouts, tip dry, pigment migration, puddling, and spidering, how to use an electric eraser, fiber pen, and razor knife for highlighting and detailing, how to render skin pores, the nuances of painting teeth and hair, working with cool and warm colors, how to evaluate the progress of your painting, use of the Artograph LED digital projector, use of Wicked Colors, and much more.